Taekwondo

Taekwondo (2016)

Taekwondo (2016) is an Argentine drama directed by Marco Berger and Martín Farina, exploring themes of masculinity, desire, and intimacy within a group of male friends. Set in a secluded country house in Buenos Aires, the film delves into the dynamics of a "boys-only" vacation, where the absence of girlfriends allows the men to engage in open conversations about their feelings, fears, and desires. The narrative unfolds as Fernando invites Germán, a close friend from his taekwondo class, into this intimate setting, unknowingly introducing a subtle undercurrent of attraction that challenges the group's established norms.

The film's strength lies in its portrayal of the complexities of male relationships, particularly the unspoken tensions and bonds that develop in a homosocial environment. Through leisurely interactions, shared activities, and candid discussions, Taekwondo captures the nuances of male camaraderie and the latent desires that simmer beneath the surface. The directors employ a slow-burn narrative style, allowing the audience to witness the gradual evolution of relationships and the subtle shifts in dynamics within the group.

Official Trailer

Critics have praised Taekwondo for its sensitive and nuanced depiction of male intimacy. The film's deliberate pacing and emphasis on visual storytelling create a contemplative atmosphere that invites viewers to reflect on the complexities of identity and connection. The performances of the cast, particularly Gabriel Epstein and Lucas Papa, have been lauded for their authenticity and emotional depth, bringing to life the intricate relationships and internal conflicts of the characters.

Taekwondo (2016) directed by Martín Farina, Marco Berger • Reviews, film +  cast • Letterboxd

While the film's subtle approach may not appeal to all audiences, those interested in introspective narratives that explore themes of identity, desire, and human connection will find Taekwondo to be a compelling and thought-provoking experience. Its exploration of the boundaries of friendship and the complexities of male relationships offers a fresh perspective on themes often underrepresented in cinema.