“Stratton” (2017) – A Gritty British Action Thriller That Misses the Mark
Stratton, released in 2017, is a British action thriller directed by Simon West, known for films like Con Air and The Expendables 2. Based on the novel series by ex-Special Boat Service (SBS) commando Duncan Falconer, the film stars Dominic Cooper as the titular character, John Stratton, an elite operative in a covert British military unit. With its military pedigree, international espionage plot, and real-world tactical inspiration, Stratton aimed to be the UK’s answer to Jason Bourne or James Bond. Unfortunately, despite flashes of potential, the film falls short of that ambition.
The story begins with a mission gone wrong in Iran, where Stratton and his partner attempt to intercept a stash of stolen biochemical weapons. The operation ends in tragedy, with his partner killed and the mission compromised. Back in London, Stratton is tasked with uncovering a deeper conspiracy involving a rogue former Soviet agent (played by Thomas Kretschmann), who plans to unleash a deadly bioweapon on a major Western city. As Stratton and his team track the villain across Italy and the UK, the plot unfolds with betrayals, shootouts, and the familiar beats of international espionage thrillers.
Dominic Cooper, best known for roles in The Devil’s Double and Preacher, brings a brooding, low-key presence to the role of Stratton. However, some critics argued that his performance lacked the charisma and physicality typically required of an action lead. The supporting cast includes Gemma Chan, Tyler Hoechlin, Tom Felton, and Connie Nielsen, all delivering solid performances, though most of the characters remain underdeveloped and confined to archetypal roles.
One of the film’s key selling points is its attempt at realism, reflecting Falconer’s real-life experience in the Special Boat Service. The tactical sequences, weapons handling, and small-unit combat feel grounded and authentic. However, the film struggles to match this realism with a compelling narrative or stylish execution. Much of the action feels derivative, lacking the pacing, intensity, or inventiveness of genre standouts. The cinematography is serviceable, with location shots in Rome and London offering visual appeal, but the overall production feels restrained by its modest budget.
Critically, Stratton received largely negative reviews. Many viewed the film as outdated, comparing it unfavorably to more dynamic spy thrillers like The Bourne Identity or Mission: Impossible. The screenplay, co-written by Duncan Falconer himself, was criticized for clichéd dialogue and a predictable plot. Despite its potential to launch a new franchise based on Falconer’s novels, the film underperformed at the box office and failed to spark much enthusiasm among audiences.
In conclusion, Stratton (2017) is a well-intentioned but ultimately forgettable action thriller. While it offers glimpses into the world of elite British special forces and pays tribute to real-world tactical precision, it lacks the excitement, polish, and narrative depth needed to stand out in a crowded genre. For die-hard action fans or viewers interested in military procedurals, it may be worth a watch—but most will find it to be a missed opportunity rather than a breakout hit.
