A Closer Look at The Raffle (1991)
The Raffle (La Riffa) is a 1991 Italian comedy-drama film directed by Francesco Laudadio, featuring Monica Bellucci in her film debut. Set in the glamorous yet morally complex world of early 1990s Italy, the film explores themes of desperation, sexuality, social hypocrisy, and female autonomy. It is best known for introducing Bellucci as a sensual yet vulnerable woman forced to take control of her destiny in a society where power dynamics and wealth dictate the rules of survival.
The story follows Francesca, a beautiful and recently widowed woman who finds herself financially ruined after the death of her wealthy husband. Left with unpaid debts, no support system, and a young daughter to care for, Francesca becomes desperate. She is accustomed to a life of comfort and luxury but now must navigate an unforgiving world on her own terms.
In a bold and controversial move, Francesca and her close friend concoct an idea to raise money: they organize a raffle where the prize is—herself. Fifty men are invited to participate, each buying a ticket at a high price, under the agreement that the winner will "win" a weekend with her. Though the concept shocks many viewers, the film treats it less as an act of prostitution and more as a calculated, almost satirical transaction—one driven by the socio-economic pressures faced by a woman with limited options.
As the raffle progresses, Francesca meets various men, each representing different archetypes of male desire, greed, or hypocrisy. Some view her as a trophy, others as a victim, and a few even fall in love. These interactions allow the film to dissect gender roles and societal expectations, offering sharp commentary on how women’s bodies and choices are often commodified—even by those claiming to care about them.
Monica Bellucci, in her first acting role, delivers a striking performance. Her portrayal of Francesca is layered and nuanced: sensual yet sincere, determined yet conflicted. Bellucci's natural screen presence and beauty make her the center of attention, but it is her emotional restraint and intelligence in the role that hint at the successful career that would follow. Despite the provocative premise, her character is never dehumanized; instead, she remains firmly in control of her fate, even as the moral implications of her decisions weigh heavily.
The film is shot with a stylistic gloss characteristic of early ’90s Italian cinema. There’s a balance between comedic irony and emotional realism, aided by Laudadio’s direction and the elegant cinematography. The score adds to the mood, evoking both tension and a sense of melancholy.
Ultimately, The Raffle is less about scandal and more about survival, autonomy, and the hypocrisies of class and gender. Francesca’s journey from victimhood to empowerment is depicted with surprising sensitivity. Though its premise might seem controversial by today’s standards, the film serves as an exploration of agency in desperate circumstances. It’s a story about a woman who refuses to be powerless—even if the world demands her to be.
