Sesat (2018): A Haunting Indonesian Tale of Grief, Faith, and the Supernatural
“Sesat,” released in 2018, is an Indonesian horror film directed by Sammaria Simanjuntak, known for her ability to weave emotional depth into eerie narratives. The film combines traditional horror elements with psychological drama, exploring themes of grief, spirituality, and human desperation. Unlike typical jump-scare horror, “Sesat” relies on atmosphere, emotional tension, and cultural symbolism to create an unsettling yet thought-provoking experience.
The story follows Amara (played by Laura Theux), a young woman who moves with her family to a remote village after the sudden death of her father. Seeking solace and a new beginning, they settle in the countryside, hoping the change will help them heal from their loss. However, their arrival awakens a chain of strange and terrifying events connected to the dark secrets buried within the village.
As Amara tries to adapt to her new environment, she begins to notice unsettling occurrences—whispering voices, eerie figures, and disturbing dreams. The villagers seem to harbor a collective silence about something ominous, and their strange behavior only deepens the mystery. Her mother, driven by grief and the belief that her husband’s spirit still lingers, turns to forbidden rituals to reconnect with the dead. This act of desperation becomes the catalyst for a terrifying confrontation with forces that blur the line between the spiritual and the malevolent.
Laura Theux delivers a compelling performance as Amara, portraying both vulnerability and strength as she unravels the truth behind the haunting. Her emotional journey anchors the film, making the audience empathize with her struggle between faith and fear. Supporting performances from the ensemble cast add to the film’s intensity, particularly when the family’s grief turns into paranoia and despair.
Visually, “Sesat” makes excellent use of its rural setting. The cinematography captures the misty forests, dimly lit houses, and isolated landscapes, reinforcing the atmosphere of dread and isolation. The film’s sound design also plays a critical role—echoing footsteps, whispers in the dark, and ritualistic chants heighten the sense of unease without relying heavily on sudden scares.
At its core, “Sesat” is more than a supernatural horror story; it’s a meditation on loss and the dangerous lengths people will go to escape it. The film delves into the intersection of traditional belief systems and modern skepticism, asking whether faith can be both a source of comfort and destruction. The title “Sesat,” which translates to “misguided” or “lost,” encapsulates the central theme—how grief and blind devotion can lead one astray from reality.

Sammaria Simanjuntak’s direction balances fear and emotion with precision. She crafts moments that are terrifying yet tragic, making viewers question whether the true horror lies in the supernatural or in human weakness. By the end, “Sesat” leaves audiences reflecting not only on the haunting events but also on the emotional scars that linger when people cannot let go of the past.
In conclusion, “Sesat” stands out as one of Indonesia’s most emotionally resonant horror films. It blends folklore, spirituality, and psychological depth into a chilling narrative that lingers long after the credits roll. With strong performances, striking visuals, and a powerful exploration of grief, the film proves that true horror often comes from within—and that sometimes, the most frightening ghosts are the ones we create ourselves.