Sikaar (2024): A Landmark Assamese Action-Thriller Bridging Local Roots and Global Cinematic Vision
Sikaar is a 2024 Assamese action-thriller directed by Debangkar Borgohain that has garnered significant attention for its ambitious storytelling and international appeal. Featuring a strong cast led by Zubeen Garg, along with Urmila Mahanta and Adil Hussain, the film stands out as the first Assamese production primarily shot in London, blending local culture with global filmmaking techniques. With a production budget exceeding ₹15 crore, it is the highest-budget film ever made in Assamese cinema, marking a major milestone for the regional industry.
The film’s narrative centers on Shankar, a dedicated tea plantation worker from Assam, whose life takes a dramatic turn after a series of betrayals and injustices. Shankar’s employer’s son, Vivanth, and an imperialistic buyer, Martin, disrupt his peaceful existence, forcing him to flee to London. There, armed with his rural hunting skills and sharp intellect, Shankar embarks on a quest for justice and vengeance against those who wronged him. The story evolves into a tense thriller involving complex conspiracies that challenge not only Shankar’s physical abilities but also his moral convictions.
What makes Sikaar especially notable is its fusion of Assamese cultural elements with an international setting. The film skillfully contrasts the rural landscapes of Assam with the metropolitan backdrop of London, highlighting the protagonist’s journey both geographically and emotionally. This cross-cultural storytelling broadens the appeal of the film beyond regional audiences, positioning Assamese cinema on a global platform.
The performances in Sikaar have been praised for their earnestness, particularly Zubeen Garg’s portrayal of Shankar, which captures the character’s resilience and determination. Urmila Mahanta and Adil Hussain add depth to the narrative, enriching the film with their nuanced performances. Together, the cast brings to life a story that is at once personal and universal, reflecting themes of survival, justice, and identity.
Despite its many strengths, the film has received mixed reviews regarding some narrative elements. Critics have pointed out occasional weaknesses in character development and dialogue, as well as the use of coincidences that at times stretch the story’s believability. However, these critiques have not overshadowed the film’s achievements in raising the profile of Assamese cinema and pushing its creative boundaries.
Sikaar has also been recognized on the festival circuit, winning the Best International Film-Directors award at the 11th Rajasthan International Film Festival in 2025. Director Debangkar Borgohain received accolades for his visionary direction, further solidifying the film’s status as a groundbreaking work.
In conclusion, Sikaar represents a bold and significant step forward for Assamese cinema, blending local narratives with international filmmaking scope. Its exploration of justice, cultural identity, and personal transformation resonates strongly with audiences both inside and outside Assam. As Assamese cinema continues to evolve, Sikaar stands as a shining example of its potential to tell compelling stories with universal appeal on a global stage.