Sublime (2022) – A Poetic Exploration of Love, Identity, and Self-Acceptance
Sublime, directed by Mariano Biasin, is a poignant and introspective coming-of-age drama that delicately unpacks the complexities of adolescent desire, friendship, and emotional awakening. Set against the quiet rhythms of a small town in Argentina, the film follows the life of Manuel, a teenage boy grappling with feelings he can neither name nor ignore. With its intimate tone and emotionally charged storytelling, Sublime offers a touching narrative about discovering who you are in a world that often struggles to accept emotional ambiguity.
At its core, Sublime tells the story of Manuel, a sensitive and artistic sixteen-year-old who plays in a local band with his childhood best friend, Felipe. The boys share a deep, almost inseparable bond—a friendship that feels both effortless and profound. But when Manuel begins to suspect that his feelings for Felipe may go beyond mere friendship, he is thrown into a whirlwind of emotional confusion. The film doesn't rush to label Manuel’s sexuality. Instead, it chooses to dwell in the nuances of emotion, offering an honest portrayal of uncertainty and yearning.
Biasin’s direction is gentle and restrained, allowing the story to unfold naturally. The cinematography is soft and atmospheric, bathing the scenes in the hues of suburban sunsets, school corridors, and quiet bedrooms. Music plays a central role in the film—not just as a literal element with Manuel's band, but as a metaphor for the emotional currents between characters. Songs are shared like secrets, unspoken but deeply felt.
The performances in Sublime are notably authentic. Martín Miller, who plays Manuel, delivers a remarkably vulnerable and layered performance. His portrayal captures the tension between loyalty and longing, between the comfort of routine and the risk of change. Teo Inama Chiabrando as Felipe provides an equally compelling counterpart, never fully revealing his own feelings but suggesting a depth that keeps both Manuel and the audience questioning.
What sets Sublime apart from other queer coming-of-age stories is its refusal to sensationalize. There is no dramatic outing, no overt tragedy. Instead, it is a story told in silences, in glances, in the spaces between words. This understated approach allows for a more universal resonance—Manuel’s journey could belong to anyone who has ever felt conflicted about their emotions or scared of losing what they cherish most.
