House of Darkness

House of Darkness (2022) – A Gothic Tale of Seduction and Suspense

House of Darkness is a 2022 psychological thriller written and directed by Neil LaBute, starring Justin Long and Kate Bosworth. Set almost entirely within the confines of a remote, eerie mansion, the film is a modern reimagining of gothic horror themes—blending dark humor, gender politics, and slow-burning suspense into a sharp, unsettling experience.

The story begins when Hap (Justin Long), a charming but arrogant man, escorts a mysterious woman named Mina (Kate Bosworth) back to her secluded country estate after meeting her at a bar. As the two settle in for what Hap believes will be a casual romantic encounter, strange things begin to happen. The house is unnervingly quiet, the night grows increasingly tense, and Mina’s behavior shifts from flirtatious to cryptic. When her two equally enigmatic sisters arrive, the situation spirals into something far darker than Hap ever expected.

At its core, House of Darkness is a cautionary tale wrapped in the trappings of gothic horror. LaBute, known for his sharp dialogue and commentary on male-female dynamics, crafts the film as a slow, dialogue-driven unraveling of toxic masculinity. Hap, full of bravado and self-confidence, gradually finds himself powerless in a space where he does not understand the rules—or the true intentions of his hosts.

The performances elevate the film’s minimalist setting. Justin Long leans into his character’s blend of charm and sleaze, playing a man who is both likable and deeply flawed. Kate Bosworth is magnetic and chilling, shifting seamlessly between warm seduction and icy menace. Their verbal sparring drives much of the film, building an atmosphere thick with discomfort and ambiguity.

Visually, the film is simple yet effective. The isolated mansion, dim lighting, and long takes create a sense of entrapment. The minimal use of music and the steady pacing contribute to the tension, allowing small gestures and subtle changes in tone to feel deeply unsettling. LaBute uses this confined setting to his advantage, keeping the audience as uncertain and off-balance as the protagonist.

Though House of Darkness doesn’t rely on traditional jump scares or gore, it excels in psychological tension. It draws influence from classic vampire lore and feminist horror, nodding to stories like Dracula and Carmilla, but with a modern twist. The horror comes not from supernatural monsters, but from the power dynamics and twisted intentions hidden behind polite conversation and flirtation.

The film may not appeal to viewers expecting fast-paced horror or action, but for those who enjoy atmospheric storytelling and subversive takes on genre conventions, House of Darkness offers a rewarding experience. Its climactic moments pay off the slow burn with both surprise and satisfaction, revealing the true nature of the titular “house” and those who dwell within it.

In conclusion, House of Darkness is a smart, unsettling thriller that uses minimalism and strong performances to deliver a modern gothic tale. With its blend of dark humor, horror, and social commentary, it leaves viewers questioning who’s really in control—and what lies beneath the surface of desire and charm.