Since the Last Time We Met is a tender and emotionally layered Argentine romance directed, written, and co-produced by Matías de Leis Correa. Spanning roughly 81 minutes, the film delves into the poignant reunion of Victor and David—two former lovers who cross paths again after fifteen years apart. Their chance encounter reawakens a clandestine romance that once pulsed with youthful intensity, now shaded by time, history, and unresolved longing.
Victor, a refined and stylish professional, has been unable to forget David—his first love who vanished when emotional and societal pressures proved overwhelming. When they unexpectedly meet, nostalgia and yearning rise to the surface, even as life has taken them in divergent directions. David is now married and living a parallel life, yet he and Victor share a private world in the stolen moments they manage together. Each meeting pulses with desire and regret, heightened by the awareness that these moments might be fleeting.
The narrative explores the ambiguities of rekindled love via conversations, glances, and encounters marked by emotional complexity. Victor grapples with hope and heartbreak, while David must navigate his divided allegiances, torn between the commitments of his current life and the pull of his past. The storytelling, though restrained in its dramatic arcs, leans on authenticity and emotional texture rather than plot fireworks.
Performances by Patricio Arellano (Victor) and Esteban Recagno (David) add credibility to this quiet upheaval of feelings. Their on-screen chemistry feels both compelling and fragile—rooted in familiarity, yet haunted by unspoken regret. Supporting roles, including Martín Stark and Josefina Langlois, help frame the emotional ecosystem in which these two men reawaken one another’s hearts.
Critical reception is mixed but thought-provoking. Some reviewers praise the film for its beautifully observed reconnection and emotional nuance, calling it moving and richly honest as it digs into the knotty nature of love’s second chances. Others point to loose plot threads and question the motivations that drive Victor and David’s choices, noting the film's reluctance to dig deeper into its characters or moral stakes. One review described it as “an involving and very moving film, packed with recognisable truths,” while another lamented that it “forgets several plot points along the way, among them, the real motive that keeps its protagonists apart.” Audience responses similarly range from admiration for its sentimental authenticity to criticism of its pacing and narrative gaps.
Structurally, the film occasionally marks the passage of time with day counters, underscoring how each encounter may be their last together. Cinematography and pacing are modest but effective, allowing emotional beats to linger. Victor and David’s exchanges are often quiet—small actions carrying much of the weight—invoking the powerful gravity of unspoken feelings.
In summary, Since the Last Time We Met is a subtly emotional exploration of reunions, memory, and the fragile promise of rediscovered love. It invites reflection on how time distorts, intensifies, or disrupts connection, and what remains when a first love resurfaces years later. It’s a film that won’t always satisfy structurally, but lingers in its emotional honesty, subtle performances, and the bittersweet ache of what might have been.
